{"product_id":"let-it-be","title":"Let it Be","description":"\u003cp class=\"MdRemovedH1\" data-mce-fragment=\"1\"\u003eThe Replacements\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLet It Be\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eon LP\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"MdRemovedH2\" data-mce-fragment=\"1\"\u003eTwin\/Tone Era LPs Are Available Again After Being Out of Print for Over 20 Years!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlong with Prince and Hüsker Dü,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Replacements\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eput Minneapolis on the rock map in the 1980s. Among America's greatest alternative acts of all-time, the 'Mats rose from chaotic noise-makers to polished craftsmen, leaving at least three unqualified masterpieces in their wake. In a perfect world,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLet It Be\u003c\/em\u003e,\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eTim\u003c\/em\u003e, and\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePleased To Meet Me\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003ewould have all gone platinum - but then again, endearing imperfection was always a hallmark of this band's music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 'Mats formed in the wake of the punk explosion of the late 1970s. Their anarchic stage shows had earned them considerable notoriety in local clubs. Indie label Twin\/Tone took note and signed the quartet, and their first album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSorry Ma, Forgot To Take Out The Trash\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas issued in 1981. That record and the\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eStink\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eEP that followed the next year were both pretty much standard-issue hardcore thrash. These early efforts careen wildly between competing tendencies toward indelible genius and drunken abandon, yet are essential just the same. With 1983's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHootenanny\u003c\/em\u003e, however, audiences began to really take notice of the songs beneath all the sound and fury; \"Color Me Impressed\" had exactly that effect on discerning rock listeners. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy 1984's\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLet It Be\u003c\/em\u003e\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Replacements'\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexponential growth as musicians – and most particularly,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaul Westerberg's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003egrowth as a writer – was undeniable.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLet It Be\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003eboasts the epic foursome of \"I Will Dare,\" \"Favorite Thing,\" \"Unsatisfied,\" and \"Answering Machine\" alongside the Kiss cover (\"Black Diamond\") and a tribute to Ted Nugent (\"Gary's Got a Boner\"). The album topped critic's polls across the country and earned the group a place on the roster at Sire Records.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e1. I Will Dare\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Favorite Thing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. We're Comin' Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Tommy Gets His Tonsils Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Androgynous\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Black Diamond\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Unsatisfied\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Seen Your Video\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Gary's Got a Boner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Sixteen Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Answering Machine\u003c\/span\u003e\u003c\/p\u003e","brand":"The Replacements","offers":[{"title":"Default Title","offer_id":67844655808825,"sku":"jvo1793032260383","price":19.87,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/1235\/2057\/files\/let-it-be_1.jpg?v=1793032267","url":"https:\/\/ethicalclothingstore.shop\/products\/let-it-be","provider":"My Store","version":"1.0","type":"link"}